for clarinet, violin, electric guitar, contrabass and percussion (11:00)
As a guitarist, I grew up listening to and playing classic rock and heavy metal during its peak years, the 1980s and 90s. The guitar icons I looked up to included Jimmy Page, Dave Mustaine, Tony Iommi, Dimebag Darell, Randy Rhodes, and Zakk Wilde among others. These guitarists all had a great sound and a powerful mode of expression – wild solos and riffs immersed in a crunch of amplified noise, reverb and distortion. Rather than incorporating or emulating the melodic, rhythmic and harmonic material typical of this style, I took a couple of iconic guitar sounds and distilled them down to their very essence. The pluck (picked – clean and distorted), the trill, and the bow (à la Jimmy Page) formed the primary seed materials for the entire composition. Other elements of the piece extracted from rock gestalt include distortion, noise fills, and feedback. There are several underlying processes used to alter these basic materials over time, which in turn govern the overall structure of the piece.
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