Upcoming Performances & Activities:

• Gorgon’s Head for voice and objects will be performed at the New Music on the Bayou Festival on Thurs, Jun 1, 1p | Monroe, LA
• Tabula 51 for tubist Aaron Hynds will be premiered Fall, 2023

Recent Performances & Activities:

2023

• Small Things (2-channel electroacoustic music) will be played on Birdfoot Festival’s Late Night Show: Sonic Geography on March 16, 2023 https://birdfootfestival.org/concerts-events/2023-birdfoot-festival/birdfoot-late-night-sonic-geography/
• Cicadas Sing of Summer Fading, February 8, 2023, Loadbang at New Music Miami Festival at Florida International University (South Beach, FL)
• Gorgon’s Head for voice and objects was performed at Outpost Coffee Concert No. 1 at the Lakeville Arts Center in Minnesota by Carrie Shaw

2022

• Rising Water Sinking Land for Astralis Duo, November 10, 2022 at Hotel Peter and Paul, New Orleans
• Rising Water Sinking Land for Astralis Duo to be premiered November 9, 2022 at Myra Clare Rogers Memorial Chapel at Tulane University [world premiere]
• Seeping Calm for string quartet, Louisiana Philharmonic Orchestra Music at the Museum, November 2, 2022 at Jazz Market, New Orleans [world premiere]
• Gorgon’s Head for soprano and objects was performed by Carrie Shaw on Outpost at The Hook and Ladder Theater, Minneapolis, MN
• Gorgon’s Head for soprano Carrie Shaw premiered on Faculty Recital: Carrie Shaw, soprano: Default Mode Network – January 29, 2022 – 7:30pm [world premiere]

2020

• Feathers was performed on New Music on the Bayou’s Summer Veiller, September 19, 2020
• Director’s Welcome was premiered by the Versipel Collective on December 19, 2020

2019

• everyone…everything for Figmentum premiered at 7:30 PM February 15, 2019 at Bread and Salt in San Diego, CA
• Embers was performed by by Richard Schwartz, saxophone and Philip Schuessler, piano on the Oklahoma Embers Tour:
  • 7:00 PM Tuesday, February 26 at Oklahoma University
  • 7:00 PM Wednesday, February 27 at University of Central Oklahoma
  • 7:00 PM Friday, March 1 at Oklahoma State University
• Feathers was performed by Southeastern Louisiana University’s Contemporary Ensemble 7:30 PM Tuesday, March 19
• everyone…everything for Figmentum was performed at the Music by Women Festival 10:00 AM March 8, 2019 at Mississippi University for Women
• Palus was performed by Quince, April 28 in Omaha, Nebraska
• Palus was performed by Accordant Commons, June 1 on Noon to Midnight at Walt Disney Concert Hall, Los Angeles
• The Inhibitors was performed on the New Music on the Bayou Festival June 6-8 in Monroe, Louisiana

2018

• The Anemone Fragments for cello and electronics was performed by Craig Hultgren at the Front Gallery in New Orleans October 14, 2018
• Blooms and Feathers were performed by the Versipel Collective on June 4 on Instant Opus @Hi-Ho Lounge, New Orleans
• Blooms, commissioned by Versipel New Music premiered on May 11 @7:30 at the Southern Sonic Festival at the Contemporary Arts Center New Orleans.As part of the
• Panel discussion on Women and Gender Non-Conforming Artists in Contemporary Experimental Music and Sound Art atSouthern Sonic Festival on May 10 @7pm
• Embers was performed at the North American Saxophone Alliance Biennial Conference at the University of Cincinnati College-Conservatory of Music March 11 by Richard Schwartz, saxophone and Philip Schuessler, piano.

2017

• Verklingend was premiered by haegum player Soo Yeon Lyuh and Ensemble Mise-en December 6, 2017 @ The Cell, New York

• Black Grey Red Orange Grey Blue Grey was performed on the soundOn Festival of Contemporary Music, Sunday, January 8 @2 p.m. @ The Athenaeum Music & Arts Library, 1008 Wall St, La Jolla, CA

• The Anemone Fragments was performed by cellist Geoffrey Gartner on Extrema: Electro-Acoustic Music for Cello on January 27 @7 pm. @Dixon Recital Hall, Tulane University, New Orleans, Louisiana

• Songs of Summer Fading was premiered by Loadbang
  • February 14, 2017, 7:30 p.m., Southeastern Louisiana University, Pottle Auditorium
  • February 15, 2017, 8 p.m., Versipel Visiting Artist Series, Location TBA

• The Inhibitors was performed at the SCI 2017 National Conference March 30-April 1 @Western Michigan University by pianist Mabel Kwan

2016

• Palus was performed by Accordant Commons October 17, 2016 @ California State University Long Beach

• Music Box for Iktus Combo was premiered February 2016
  • February 16, 2016, 7:30 p.m., Southeastern Louisiana University, Pottle Auditorium
  • February 17, 2016, 8:00 p.m., Versipel New Music Visiting Artist Series, Cafe Istanbul, New Orleans

•  Palus a microtonal vocal trio written for Accordant Commons was premiered March 2016
  • March 10, 2016 7:30 p.m., San Diego New Music presents Accordant Commons, The Athenaeum Art Center at Bread and Salt, 1955 Julian Ave.
    San Diego 92113
  • March 18, 2016, 8 p.m. Automata, Los Angeles

• Huntress and Pursuit from Forest Songs were premiered by soprano Amanda deBoer Bartlett and the East Coast Contemporary Ensemble  at the NienteForte Festival on March 15, 2016 at Tulane University

• Electric Monster and the Invasion of the Incredible B.S.O.s Improv was performed by The Versipel Collective on the Open Ears Series, January 19 at Blue Nile

2015

• The Anemone Fragments was selected for performance at ICMC, September 25-October 1 at the University of North Texas. Concert 15, Lyric Theater, 4:30pm
• Embers for saxophone and piano was performed several times by Richard Schwartz and Philip Schuessler on the Western leg of the “Embers CD Release Tour.” Tour stops in New Mexico and Texas – September 2015
  • September 8, New Mexico State University, Atkinson Hall, 7:30pm
  • September 9, Eastern New Mexico University, 7pm
  • September 10, Texas Tech University, 5pm
  • September 11, University of New Mexico, 7:30pm
  • September 12, Santa Fe Preparatory High School, 2pm
• Omphalos was performed at the 2015 New York City Electronic Music Festival, Abrons Art Center, New York, June 27, 1pm.
• Omphalos, Southeastern Louisiana University Composers Concert, Recital Hall, April 27.

• The Inhibitors for pianist Mabel Kwan was premiered in April.
• April 1, 2015, Pottle Auditorium, Southeastern Louisiana University, 7:30.
• April 3, 2015, Versipel New Music Visiting Artist Series III, Cafe Istanbul, New Orleans, 8:00.

• Seeping Peace will be presented on 60×60 Dance Louisiana Mix at Louisiana School for Math, Science, and the Arts Friday, April 10th at 7pm, Saturday April 11th at 4pm and 7pm.

2014

• Embers for saxophone and piano was performed several times by Richard Schwartz and Philip Schuessler on the Southern leg of the “Embers CD Release Tour”
  • September 2nd – Pottle Auditorium, Southeastern Louisiana University, Hammond, LA @ 7:30 pm
  • September 3rd – Louisiana State University, Baton Rouge, LA @ 7:30 pm
  • September 4th – University of Southern Mississippi, Hattiesburg, MS @ 7:30 pm
  • September 5th – University of Alabama, Tuscaloosa, AL @ 2pm
    
  • September 6th – Birmingham-Southern College, Birmingham, AL @ 7:30 pm
    

• “Reconsidering Texture in French Spectral Music” was be presented at “Gérard Grisey, the spectral moment, and its legacy,” October 19 to 21 at McGill and the Université de Montréal.

• the glitter on the undersurface for Mike McCurdy, percussion and Christa Van Alstine, bass clarinet was premiered on the first Versipel New Music concert, October 9, 2014 @ The Marigny Opera House, 8pm

• Omphalos was performed at the mise-en music festival 2014 in New York City Sunday, June 22 at pm at Tenri Cultural Institute.

• The Anemone Fragments was performed at the New York City Electronic Music Festival June 2, 8pm Abrons Arts Center, 466 Grand St, New York, NY 10002, in New York City’s Lower East Side

• Omphalos will be performed a the LSU Cinema for the Ears concert series on their new 27-speaker ICAST diffusion system in the new LDMC theater!!! April 7 @ 7:30.

• Astralis Duo performed Four Songs on their Louisiana Tour as part of their “Life and Afterlife” show.

• Monday, March 31st, 2014 at 6:00 PM, Tulane University Newcomb Department of Music, Dixon Recital Hall (Rm. 152), Dixon Annex
• Tuesday, April 1st, 2014 at 6:00PM, Southeastern Louisiana University, Department of Fine and Performing Arts, Pottle Auditorium

• January 5 – 20, 2014 Banff Centre Residency

2013

• October 3-5, 2013 Omphalos will be played at the NACUSA National Conference, Louisiana Tech University

• November 9, The Anemone Fragmentswas performed at the Electroacoustic Barn Dance Festival at University of Mary Washington, Fredericksburg, Virginia

• Gryllidae, a miniature for orchestra will be included in 60×60 Orchestra, sponsored by Vox Novus

• Summer 2013, Embers was recorded by saxophonist Richard Schwartz and will be included on his CD of new saxophone works

• May 1, 2013, On a Wire, 60×60 Video EMM (Electronic Music Midwest) Mix Brown, 100 Theater, Brown Hall Washington University, St. Louis

• May 29, 2013, The Anemone Fragments for cello and live electronics performed by Craig Hultgren, 7:30 PM, Moonlight on the Mountain, Birmingham, AL

• Black Grey Red Orange Grey Blue Grey for clarinet, flute, violin, cello, piano, and percussion was premiered by the Empyrean Ensemble at the Worlds of Discovery and Loss: Art & Migration Festival at UC Davis, January 30 to February 3, 2013

2012

• October 31, 2012, world premiere of The Anemone Fragments for cello and live electronics for cellist Craig Hultgren, Southeastern Louisiana University Recital Hall, Hammond, Louisiana

• August 23, 2012, Embers, Tuscaloosa New Music Collective presents Young American Composers, University of Alabama, Tuscaloosa, AL,  Philip Schuessler, piano; Richard Schwartz, saxophone (Embers was selected as an honorable mention in the 2012 TNMC Call for Scores)

• June 5 – 26, Residency at Brush Creek Foundation for the Arts, Saratoga, Wyoming

• May 1, 2012 – Seeping Peace, Oklahoma Composer’s Association Salon Concerts, 60×60 Video (Athena Mix) at Cameron University, School of Music, Lawton, Oklahoma

• April 30, 2012 – Dissolution, University of Wisconsin-Milwaukee, Milwaukee, Wisconsin, Dylan Chmura-Moore trombone and electronics

• April 24, 2012, Embers, for alto saxophone and electronics, Southeastern Louisiana University, Philip Schuessler, piano; Richard Schwartz, saxophone

• April 23, 2012 – Dissolution, Ohio Wesleyan University, Delaware, Ohio, Dylan Chmura-Moore trombone and electronics

• April 22, 2012 – Dissolution, Baldwin-Wallace College Conservatory of Music, Berea, Ohio, Dylan Chmura-Moore trombone and electronics

• February 11, 2012 – Dissolution, for trombone and electronic, SEAMUS National Conference, Lawrence University, Appleton, Wisconsin, Dylan Chmura-Moore trombone and electronics

• February 7, Dissolution for trombone and electronics, “A Prelude to SEAMUS,” Allen Priebe Gallery in Oshkosh, Wisconsin, Dylan Chmura-Moore, trombone

2011

• August 1 – Dissolution for trombone and electronics, International Computer Music Conference, University of Huddersfield, England

• July 10-17 – Mizzou New Music Summer Festival, premiere of new work for Alarm Will Sound

• March 18-19, 2011 – Embers,  premiere by Richard Schwartz, saxophone and Philip Schuessler, piano at North American Saxophone Association Conference, Florida

• March 25-26, 2011 – Ear to the Ground, College Music Society, Rocky Mountain Regional Conference, Denver, Colorado

• February 2, 2011 – Omphalos, Music Under the Influence of Computers, 7PM Calit2 Theater in Atkinson Hall, UCSD campus

2010

• November 17, 2010 – Dissolution for trombone and electronics, University of Wisconsin OshKosh, Dylan Chmura-Moore trombone and electronics

• November 19, 2010 – Ear to the Ground,  Southeastern Louisiana University Electronic Music Concert

• October 2, 2010 – Omphalos, SCI Region V Conference, Augustana College, Moline, IL

• August 2 – 16 – I-Park Residency
  • Composition of Rivers Project #1 for classical guitar, live electronics, and video

• July 4-12 – Etchings Festival, Auvillar, France
  • Premiere of Luminous Flux for alto saxophone, bassoon, violin, viola, and cello by members of the East Coast Contemporary Ensemble

• June 1-5 – International Computer Music Conference, New York & Stony Brook, New York
  • Small Things and On a Wire
• May 27 – On a Wire – 60×60 Burgundy Mix, São Paulo Ibrasotope (www.myspace.com/ibrasotope).

• May 20– On a Wire – 60×60 Burgundy Mix, University of Wisconsin-Richland, Richland Center, Wisconsin

• May 14– On a Wire – 60×60 Burgundy Mix, Composers Concordance Presents 60×60 (2010 / ICMC Burgundy Mix)  Parkside Lounge, New York City

• May 12– On a Wire – 60×60 Burgundy Mix, City University in London, London, England

• May 7 – On a Wire – 60×60 Burgundy Mix, Outpost 186 Cambridge, Massachusetts

• May 4, 2010 – Electric Monster and the Invasion of the Incredible B.S.O.s, University of Illinois New Music Ensemble, Krannert Center for the Performing Arts, Tryon Festival Theater, Urbana, IL ***world premiere***

• March 25, 2010 – Omphalos, SCI Region VI Conference, Kansas State University, Manhattan, KS

• March 9, 2010 – Firmament, New Music Café, Illinois Wesleyan University, Bloomington, IL