Sunday, I returned home to Louisiana after traveling to England for the annual International Computer Music Conference. This year’s conference was very well organized by the conference committee and I felt very welcome as soon as I arrived. All events took place on the University of Huddersfield campus, and many of us even stayed in one of the student dormitories. This made for a very close-knit community of electroacoustic composers, researchers, and performers and I had the opportunity to meet a lot of new friends and colleagues. Special thanks to Michael Clarke, conference chair; Pierre Alexandre Tremblay, music chair and technical director, Monty Adkins, paper chair, and Alex Harker, the board operator and my mix assistant at St. Paul’s Hall.
I was privileged to have my piece Dissolution for trombone and Max/Msp performed at the conference by Andrew Digby, a fabulous trombonist and new music expert who lives in Germany. Andrew frequently performs new music all around Europe and is a member of Ensemble Ascolta and the Composers Slide Quartet.
It was an extremely intense week of concerts (I saw 12/13 concerts plus some UnConference concerts) and paper sessions. There was so much to do that of course there was no way to go to everything, but I did hear a lot of new electroacoustic/computer music and learn about some of the research people are doing in the field. Wednesday, there was a special field trip to the Yorkshire Sculpture Park for the ICMC banquet. I did not attend the banquet, but I did have some time to look around the park and at a fantastic Jaume Plensa exhibit. There was also a special “walk” organized by Michael Clarke on Saturday at the Mardsen Moor which I was able to attend part of before departing for Manchester.